Catalogue
Catalogue
Time Weft, being made of language, speaks, in a manner of speaking, for itself. It is comprised of prose-poetic texts split into two parts describing existence in the ‘weft.’ Another way of saying this would be: describing life and its complexities; an acknowledgement of a, and the, recurring past. Around and within these text-bodies is a prologue, an intermission, and an epilogue, which describe a fictionalised account of the artist’s death, told through the perspectives of three ostensibly bureaucratic figures.
Cloth bound with loose inserts hand-placed throughout the catalogue, this is a very special publication.
Time Weft, being made of language, speaks, in a manner of speaking, for itself. It is comprised of prose-poetic texts split into two parts describing existence in the ‘weft.’ Another way of saying this would be: describing life and its complexities; an acknowledgement of a, and the, recurring past. Around and within these text-bodies is a prologue, an intermission, and an epilogue, which describe a fictionalised account of the artist’s death, told through the perspectives of three ostensibly bureaucratic figures.
Cloth bound with loose inserts hand-placed throughout the catalogue, this is a very special publication.
Limited edition of catalogues signed by the Artist.
Time Weft, being made of language, speaks, in a manner of speaking, for itself. It is comprised of prose-poetic texts split into two parts describing existence in the ‘weft.’ Another way of saying this would be: describing life and its complexities; an acknowledgement of a, and the, recurring past. Around and within these text-bodies is a prologue, an intermission, and an epilogue, which describe a fictionalised account of the artist’s death, told through the perspectives of three ostensibly bureaucratic figures.
Cloth bound with loose inserts hand-placed throughout the catalogue, this is a very special publication.
Time Weft, being made of language, speaks, in a manner of speaking, for itself. It is comprised of prose-poetic texts split into two parts describing existence in the ‘weft.’ Another way of saying this would be: describing life and its complexities; an acknowledgement of a, and the, recurring past. Around and within these text-bodies is a prologue, an intermission, and an epilogue, which describe a fictionalised account of the artist’s death, told through the perspectives of three ostensibly bureaucratic figures.
Cloth bound with loose inserts hand-placed throughout the catalogue, this is a very special publication.
Time Weft, being made of language, speaks, in a manner of speaking, for itself. It is comprised of prose-poetic texts split into two parts describing existence in the ‘weft.’ Another way of saying this would be: describing life and its complexities; an acknowledgement of a, and the, recurring past. Around and within these text-bodies is a prologue, an intermission, and an epilogue, which describe a fictionalised account of the artist’s death, told through the perspectives of three ostensibly bureaucratic figures.
Cloth bound with loose inserts hand-placed throughout the catalogue, this is a very special publication.
Limited edition of catalogues signed by the Artist.
Time Weft, being made of language, speaks, in a manner of speaking, for itself. It is comprised of prose-poetic texts split into two parts describing existence in the ‘weft.’ Another way of saying this would be: describing life and its complexities; an acknowledgement of a, and the, recurring past. Around and within these text-bodies is a prologue, an intermission, and an epilogue, which describe a fictionalised account of the artist’s death, told through the perspectives of three ostensibly bureaucratic figures.
Cloth bound with loose inserts hand-placed throughout the catalogue, this is a very special publication.